For a short period in their lives, both Benjamin and Daisy are of approximate age, but such joy doesn’t last as one grows older and the other younger. The film makes amends to the sardonic tone of the short story by creating a moving love story.
#The button movie movie
Further, the movie adds one more layer, and that’s Daisy at her deathbed, sharing the story of her lost love with her daughter Caroline (affectively played by Julia Ormond), leaving her with a legacy of love. There’s love and acceptance as well from those in the old folks lodging house where Queenie works. Instead of a non-mentioned mother in Fitzgerald’s story, Queenie raises Benjamin with devoted affection. Henson), who embraces a Gollum-like baby abandoned at her doorstep. This is not just about love between two star-crossed lovers, Benjamin (Brad Pitt) and Daisy (Cate Blanchett), but about a woman with a huge heart, Queenie (Taraji P. The magic lies in the imaginary, reverse growth trajectory the realism is love. They had chosen to turn Fitzgerald’s farcical, acerbic fantasy into a serious film in the vein of magical realism. Roth is known for his Oscar winning adapted screenplay for Forrest Gump (1994), and Robin Swicord for her 1994 version of Little Women. Screenwriters for the adaptation are Eric Roth and Robin Swicord. Here’s an exemplar of how a film adaptation diverges from the original literary source and yet still keeps its main concept, but instead of faithfully following the thin, short story, carries it to a different direction, creating an expanded and more gratifying version. Unlike the Academy’s (and some critics’) aloofness in embracing the film’s other achievements, I much appreciate the adapted screenplay and Fincher’s 166 minute visual rendition.
These are difficult feats and deserving wins. I watch it for the first time in 2020 and am surprised to find its relevance: the fear of strangeness in our age of xenophobia.Īs for the 13 Oscar nominations, the movie won only three: Art Direction, Makeup, and Visual Effects. The tale was adapted into a 2008 movie directed by David Fincher who brought it all the way to the Oscars with 13 nominations the next year. Prompted by a remark made by Mark Twain, Fitzgerald unleashed his imagination and wrote the story. Scott Fitzgerald’s short story published in 1922, reviewed in my previous post. The idea of a baby born as an old man and then grows younger––a reverse trajectory of the human experience––is the premise in F.